I go for novels whenever I can; that is, when I read fiction.
Novels are the best place for developing characters and putting them in plausible circumstances ... and submerging oneself in them ...
Anyway, along with buying the Twilight series (naturally), I grabbed a copy of The Love Letters of Dylan Thomas, something I would probably not have done were it not for the cover.
Yes, I know you can't judge a book by its cover, but my film fan self could not resist. The Letters has Sienna Miller and Keira Knightley on the cover. I love Keira's films (not that I've seen them all, but Pride & Prejudice, Pirates of the Caribbean are among my favourites) and I vaguely remember reading about a film based on Dylan Thomas' letters.
So I got it and I read it.
To be honest, I found it a bit difficult at first, because I was not familiar with his style and it's rather strange to read a real person's letters ...
For one thing, you don't get the addressee's responses, you don't get previous correspondence ...
Thomas writes to various women, so it's not a continuous narrative and it's hard to piece things together. And there's something to be said about reading personal correspondence--there's definitely a very different feel to it when you know that these letters were really written to one person and supposed to be read only by them ...
Dylan Thomas writes mostly to his wife and you can tell that he loved her immensely, but judging by the other letters as well, it seems to me that he had a great capacity to love, but he also hinted he had a bit of temper. In any case, alothough you can draw a lot from these letters, you can't get to know him fully. That's what he says a letter is:
What's a good letter anyway? To put down a bit of oneself to send to someone who
misses it? To be funny and sefconscious or selfconsciously formal, or so very
natural that even the words blush and stammer?
His letters are often rambling, almost stream-of-conscousness, but he has an ironic sense of humour, which is very endearing because he often directs it at himself. It seems a bit ironic that his letters have been turned into a film when in one of them he says:
I hate film studios. I hate film workers. I hate films. There is nothing but glibly naive insecurity in this huge tinroofed box of tricks.
Of course, I cannot agree with that, but I do hope that The Edge of Love film does him justice.
P.S. His comments on America are quite insightful.